POSTPONED to 2022
The exhibition features works by Oksana Veniaminova, Tatsiana Tkachova, Vasilisa Palianina, Kate Smuraga along with a curated selection from the VEHA archive of Belarusian amateur photography - founded by Lesia Pcholka.
KVOST SchauFenster . Masha Svyatogor
EXTENDED until 29.05.2021
Curated by Maya Hristova & Jewgeni Roppel
As a kick-off to EEP Berlin and KVOST’s upcoming exhibition dedicated to Belarussian contemporary photography, the two organisations present a showcase of artist Masha Svyatogor (BEL, *1989).
KVOST SchauFenster 20/21
With works by Vikenti Komitski, Nina Kurtela and Honorata Martin, curated by Nathalie Hoyos and Rainald Schumacher.
JÜRGEN WITTDORF
EXTENDED until 12.12.2020
JÜRGEN WITTDORF : Lieblinge
Works from 1952 - 2003
Works from Sammlung Linkersdorff and the collection of the Gay Museum Berlin, curated by Stephan Koal.
ALEXANDER GRONSKY
EXTENDED until 27.06.2020
Repetition
Curated by Nadine Barth
Periphery as landscape– Alexander Gronsky shows large-scale tableaux serialized works from Moscow.
VLAD NANCA
The City and the City
Vlad Nancă is the recipient of the KVOST stipend, that was announced for the first time in 2019. His solo exhibition The City and the City combines earlier works with pieces, that were realised during his six-week stay in Berlin as artist in residence.
Palast der Republik. Satellite
Curated by Elke Neumann
With Árpád Bondy & Margit Knapp, Gerd Danigel, Georg Eckelt, Thomas Florschuetz, Fred Rubin, Berit Petzsch & Dana Mosemann.
A cooperation between KVOST and Kunsthalle Rostock.
RADA BOUKOVA & SIRMA SARAFOVA-ORAHOVAC
Players and Pleasures
The secret life of things, the intimacy of the mundane, the complexity of the banal: Bulgarian artists Rada Boukova und Sirma Sarafova-Orahovac are separated by almost 40 years of lifetime. The two have never met, yet their works share a certain family resemblance.
MICHAL SOLARSKI & TOMASZ LIBOSKA
Past Perfect
Shot on original location, Liboska and Solarski created a series of photographic stagings, facsimiles of shared memories, tracing things that seem irretrievably lost: the intensity of youth, the quaint dreariness of the former eastern bloc and the fervent expectation of a better future.
